Evidence Tanya Marcuse he always carried his precious

he always carried his precious Nikon camera to record whatever caught his interest

Waplington imposes his body as a physical and also metaphorical presence in the landscape

They are “non-potrtraits” in that they do not aim to flatter or to show the “truth” of these people

"A series of photographs that have uncovered the subtle beauty of the terrain

Evidence Tanya Marcuse he always carried his preciousFirst edition, first impression of Evidence by Diana Matar in new condition. Signed to title page, this medium format hardback was published in 2014 by Schilt. About Evidence In Evidence, Diana Matar has created an impressionistic visual landscape of absence and longing, rather than a book of reportage or photojournalism. The images therein are often elusive and opaque: shadowy street scapes and blurred buildings shot in monochrome, trees in bloom and